The Making Of Stanley Kubricks 21 A Space Odyssey Book PDF, EPUB Download & Read Online Free

The Making of Stanley Kubrick's '2OO1: A Space Odyssey'
Author: Piers Bizony
Publisher:
ISBN: 3836559544
Pages: 562
Year: 2015
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Hello, HAL On the set of 2OO1: A Space Odyssey Get closer than ever to the movie that changed the movies. This behind-the-scenes spectacular of 2OO1: Space Odyssey sheds light on the lead actors, senior production designers, special-effects experts and masterminds of Stanley Kubrick and Arthur C. Clarke, who together revolutionized science fiction and the art of cinema. Previously available as part of the multi-volume and instant sell-out Collector's Edition, this comprehensive visual record includes on and off set photographs, pre-production paintings, and conceptual designs from the Kubrick archives. With numerous fold-outs, these dazzling images offer insight both into Kubrick's meticulous directorial methods, and into the mysteries and magnetism of a film at once vast in scope and intricate in its exploration of our relationship to technology. Written and researched over several years by the outer space, special effects, and technology journalist Piers Bizony, this compendium is both an exhaustive labour of love and a monument to a masterpiece of 20th century culture.
The Making of Stanley Kubrick's 2001
Author: Piers Bizony
Publisher:
ISBN: 3836547694
Pages:
Year: 2014
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Space Odyssey
Author: Michael Benson
Publisher: Simon and Schuster
ISBN: 1501163957
Pages: 512
Year: 2018-04-03
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Celebrating the fiftieth anniversary of the film’s release, this is the definitive story of the making of 2001: A Space Odyssey, acclaimed today as one of the greatest films ever made, including the inside account of how director Stanley Kubrick and writer Arthur C. Clarke created this cinematic masterpiece. Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn’t yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001’s resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence. Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick’s widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001’s leading man-ape; and many others. A colorful nonfiction narrative packed with memorable characters and remarkable incidents, Space Odyssey provides a 360-degree view of this extraordinary work, tracking the film from Kubrick and Clarke’s first meeting in New York in 1964 through its UK production from 1965-1968, during which some of the most complex sets ever made were merged with visual effects so innovative that they scarcely seem dated today. A concluding chapter examines the film’s legacy as it grew into it current justifiably exalted status.
Stanley Kubrick's 2001: A Space Odyssey
Author: Robert Kolker
Publisher: Oxford University Press
ISBN: 0199884013
Pages: 216
Year: 2006-03-23
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Almost all students have seen 2001, but virtually none understand its inheritance, its complexities, and certainly not its ironies. The essays in this collection, commissioned from a wide variety of scholars, examine in detail various possible readings of the film and its historical context. They also examine the film as a genre piece--as the summa of science fiction that simultaneously looks back on the science fiction conventions of the past (Kubrick began thinking of making a science fiction film during the genre's heyday in the fifties), rethinks the convention in light of the time of the film's creation, and in turn changes the look and meaning of the genre that it revived--which now remains as prominent as it was almost four decades ago. Constructed out of its director's particular intellectual curiosity, his visual style, and his particular notions of the place of human agency in the world and, in this case, the universe, 2001 is, like all of his films, more than it appears, and it keeps revealing more the more it is seen. Though their backgrounds and disciplines differ, the authors of this essay collection are united by a talent for vigorous yet incisive writing that cleaves closely to the text--to the film itself, with its contextual and intrinsic complexities--granting readers privileged access to Kubrick's formidable, intricate classic work of science fiction.
The Making of 2001: A Space Odyssey
Author: Stephanie Schwam
Publisher: Modern Library
ISBN: 0307757609
Pages: 352
Year: 2010-07-21
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"If 2001 has stirred your emotions, your subconscious, your mythological yearnings, then it has succeeded."--Stanley Kubrick Stanley Kubrick's extraordinary movie 2001: A Space Odyssey was released in 1969. The critics initially disliked it, but the public loved it. And eventually, the film took its rightful place as one of the most innovative, brilliant, and pivotal works of modern cinema. The Making of 2001: A Space Odyssey consists of testimony from Kubrick's collaborators and commentary from critics and historians. This is the most complete book on the film to date--from Stanley Kubrick's first meeting with screenwriter Arthur C. Clarke to Kubrick's exhaustive research to the actual shooting and release of the movie. From the Trade Paperback edition.
Stanley Kubrick
Author: Stanley Kubrick, Gene D. Phillips
Publisher: Univ. Press of Mississippi
ISBN: 1578062977
Pages: 207
Year: 2001-01-01
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By allowing readers to see the inner workings of this reclusive filmmaker, this comprehensive collection of his interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests--nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess--and discloses how each affects his films. Film stills.
Kubrick’s Monolith
Author: Joe R. Frinzi
Publisher: McFarland
ISBN: 147662867X
Pages: 224
Year: 2018-06-01
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Stanley Kubrick’s 2001: A Space Odyssey is re-examined in a post-millennial context in this heavily researched, highly detailed study of the making of the landmark film. Its artistic and mythic pedigrees are of special interest. Kubrick and writer Arthur C. Clarke faced a number of challenges in producing an intelligent and innovative A-list movie in what—almost a decade before Star Wars—was considered a second-class genre, science fiction. The author explores the film’s enigmatic storyline and offers a fresh perspective on several artistic elements such as production design, special effects and the use of music.
2001
Author: Piers Bizony
Publisher: Aurum Pr Ltd
ISBN:
Pages: 165
Year: 2000
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Filled with material that came to light after the publication of the firstdition in 1994, this updated edition includes interviews, new material fromffects supervisor Doug Turnbull and additional illustrations.
2001: A Space Odyssey
Author: Peter Krämer
Publisher: Bloomsbury Publishing
ISBN: 1844575586
Pages: 96
Year: 2017-10-07
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Stanley Kubrick's 2001: A Space Odyssey (1968) is widely regarded as one of the best films ever made. It has been celebrated for its beauty and mystery, its realistic depiction of space travel and dazzling display of visual effects, the breathtaking scope of its story, which reaches across millions of years, and the thought-provoking depth of its meditation on evolution, technology and humanity's encounters with the unknown. 2001 has been described as the most expensive avant-garde movie ever made and as a psychedelic trip, a unique expression of the spirit of the 1960s and as a timeless masterpiece. Peter Krämer's insightful study explores the complex origins of the film, the unique shape it took and the extraordinary impact it made on contemporary audiences. Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer challenges many of the widely-held assumptions about the film. He argues that 2001 was Kubrick's attempt to counter the deep pessimism of his previous film, Dr Strangelove (1964), which culminates in the explosion of a nuclear 'doomsday' device, with a more hopeful vision of humanity's future, facilitated by the intervention of mysterious extra-terrestrial artifacts. This study traces the project's development from the first letter Kubrick wrote to his future collaborator Arthur C. Clarke in March 1964 all the way to the dramatic changes Kubrick made to the film shortly before its release by MGM in April 1968. Krämer shows that, despite – or, perhaps, because of – Kubrick's daring last-minute decision to turn the film itself into a mysterious artifact, 2001 was an instant success with both critics and general audiences, and has exerted enormous influence over Hollywood's output of science fiction movies ever since. The book argues that 2001 invites us to enjoy and contemplate its sounds and images over and over again, and, if we are so inclined, to take away from it an important message of hope.
Stanley Kubrick
Author: Nathan Abrams
Publisher: Rutgers University Press
ISBN: 0813587131
Pages: 340
Year: 2018-04-19
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Stanley Kubrick is generally acknowledged as one of the world’s great directors. Yet few critics or scholars have considered how he emerged from a unique and vibrant cultural milieu: the New York Jewish intelligentsia. Stanley Kubrick reexamines the director’s work in context of his ethnic and cultural origins. Focusing on several of Kubrick’s key themes—including masculinity, ethical responsibility, and the nature of evil—it demonstrates how his films were in conversation with contemporary New York Jewish intellectuals who grappled with the same concerns. At the same time, it explores Kubrick’s fraught relationship with his Jewish identity and his reluctance to be pegged as an ethnic director, manifest in his removal of Jewish references and characters from stories he adapted. As he digs deep into rare Kubrick archives to reveal insights about the director’s life and times, film scholar Nathan Abrams also provides a nuanced account of Kubrick’s cinematic artistry. Each chapter offers a detailed analysis of one of Kubrick’s major films, including Lolita, Dr. Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. Stanley Kubrick thus presents an illuminating look at one of the twentieth century’s most renowned and yet misunderstood directors.
Kubrick
Author: Michael Herr
Publisher: Grove Press
ISBN: 0802138187
Pages: 96
Year: 2000
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A screenwriter and author of Dispatches provides a firsthand portrait of his friend and colleague, Stanley Kubrick, describing the life and career of the legendary director, dispelling myths about him, and reflecting on his seminal influence on the world of filmmaking. Reprint.
Stanley Kubrick
Author: Vincent Lobrutto
Publisher: Da Capo Press
ISBN: 0306809060
Pages: 606
Year: 1999-05-07
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Stanley Kubrick, director of the acclaimed filmsPath of Glory, Spartacus, Lolita, Dr. Strangelove, 2001: Space Odyssey. A Clockwork Orange, The Shining, and Full Metal Jacket, is arguably one of the greatest American filmmakers. Yet, despite being hailed as “a giant” by Orson Welles, little is known about the reclusive director. Stanley Kubrick—the first full-length study of his life—is based on assiduous archival research as well as new interviews with friends, family, and colleagues.Film scholar Vincent LoBRutto provides a comprehensive portrait of the director, from his high school days, in the Bronx and his stint as a photographer for Look magazine, through the creation of his wide-ranging movies, including the long-awaited Eyes Wide Shut. The author provides behind-the-scenes details about writing, filming, financing, and reception of the director's entire output, paying close attention to the technical innovations and to his often contentious relationships with actors. This fascinating biography exposes the enigma that is Stanley Kubrick while placing him in context of film history.
Stanley Kubrick's Napoleon
Author: Alison Castle
Publisher: Taschen
ISBN: 3836568896
Pages: 832
Year: 2018
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The Greatest Movie Never Made Ten books in one tell the fascinating tale of Kubrick's unfilmed masterpiece For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick's "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick's movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion. TASCHEN's tribute to this unmade masterpiece makes Kubrick's valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick's final draft is reproduced in its entirety. The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema's greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte.
2001
Author: Arthur C. Clarke
Publisher: Penguin
ISBN: 0143111574
Pages: 226
Year: 2016
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On the moon, an enigma is uncovered. So great are the implications that, for the first time, men are sent deep into our solar system. But before they can reach their destination, things begin to go very wrong.
Ko Stanley Kubrick Archives
Author: Alison Castle
Publisher: Taschen
ISBN: 3836555824
Pages:
Year: 2015-04-01
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Ultimate Kubrick: The unsurpassed study of a cinematic genius In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: "It's not a message I ever intended to convey in words. 2001 is a nonverbal experience... I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content." Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director's philosophy. From the opening sequence of Killer's Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick's complete films to impress through dazzling stills. In a separate section, Kubrick's creative process is brought to life through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick,and a selection of Kubrick's best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th century cinema and the meticulous mind of the director behind them.

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